26. 10. 2010.

Press Conference, 26th october 2010

Today, the Polish team of Teatr Dramatyczny came to talk about “A lover’s discourse”, performance which was played on the 25^th october in SARTR Teatar. The director Radoslaw Rychcyk, and the actors Johanna Drozda, Klara Bielawka and Adam Graczyk answer the questions of Mess team and journalists.

 Na PRESS konferenciji 25. oktobra povodom predstave “Fragmenti ljubavnog diskursa “prisustvovao je  reditelji Radoslaw Rychcyk i glumci Johana Drozda, Klara Bielawka i Adam Graczyk.

 The text of the play, Roland Barthes’s “Lover’s Discourse”, talks about love. The troup explains that they simply chose this topic because everybody fall in love. Barthes book is about a fascinating story and is made of a great language. Radislaw Rychcik explains that using this philosophy book for a theatre performance was a real challenge for them.

Tekst predstave se oslanja na tekst Rolana Barta  “Ljubavni diskurs”, koji govori o ljubavi. Trupa objašnjava da su oni jednostavno izabrali tekst, zato što se svi zaljubuju. Bartova knjiga je zapravo fascinanta priča koja je napisana sjajanim jezikom. Radislaw Rychcyk je objasnio da je korišćenje ove filozofske knjige za pozorišnu predstavu bio pravi izazov za njih.

 They are then asked if this performance is a message for young people about love. Klara Bielawka answers that, more than a message, it is a gift made to the audience, an experience they want to share, and not only with young people.

Johanna Drazda says indeed that the 50 years old spectators respond particularly to the performance because of the language of the text, which may be more of their time.

Oni su bili upitani da li je ova predstava zapravo poruka za mlade ljude o ljkubavi. Klara Biewalka je odgovorila da je to nešto više od poruke, ovo je poklon publici, iskustvo koji oni žele da podele, I ne samo sa mladim ljudima. Johanna Drazda je rekla da zaista I gledaoci od 50 godina dobro korespondiraju sa predstavom zbog jezika u tekstu, koji više pripada njihovom vremenu.

 The physical aspect of the performance is also very important. But Johanna Drazda explains that, even if everything started from the physical work, they tried to connect as well as possible language and body. Actors act with the whole body. People are used to see actors playing with their head but when you talk about love, you have to take in account the whole thing, head, and body.

 Fizički aspect ove predstave je takođe vrlo važan. Johana Drazda je objasnila da, iako je rad na predstavi započet od fizičkog rada, oni su pokušali da komuniciraju unutar jezika I tela. Glumci glume čitavim telom. Ljudi su navikli da vide glumce koji zapravo glume glavama, ali kada pričamo o ljubavi, morate uzeti u obzir celinu, i glavu i telo.

 “The Lover’s discourse” was played in the frame of Future Mess, which is dedicated to young directors under the age of 35. Despite this fact, the stage director thinks that the question of age is not so important, that he does not have any opinion about the difference between young and older directors. The thing is that it is a great opportunity for them to play in Sarajevo.

 Predstava “Fragmenti ljubavnog diskursa” je igrana u okviru programa Future Mess, koji je posvećen mladim rediteljima do 35 godina. Uprkos ovoj činjenici, reditelj misli da pitanje godina nije bitno, da nema mišljenje o razlici između mladih ili starijih reditelja. Stvar je u tome da je za njih bitno što je gledaju u Sarajevu.

 The play is not touring at the moment. Coming abroad is a new experience for them. The performance was played several times in Warsaw, and they won many fans who bought posters of the show; the performance is much more seen as a concert there than as a theatre play.